11/16/05

Original Sin 1.7 - Tommy and God

The Clown is smiling but His eyes are deadly serious. There are red streaks painted above them. God is a pudgy Italian opera clown. Tommy sees this and knows it to be true. Appalling knowledge but there is no other way God could be. He’d figured it out before, a long time ago. He realizes that the delicate structure of his mind from the recovery onward has been a series of psychological defense mechanisms – protection from comprehending the truth, the knowledge of God, the Clown. That is the only thing that explains his mind, his post-hoc fallacy. He could never completely erase the knowledge.

Crazy that he thinks of Jim now and how he knew so many years ago in the English Room that words were futile, that the reality of God was not something that could be argued in debate class but would come around again to gob smack his flickering faith. He can now admit the faith flickered. He thinks of how he would like to drag Jim out to this orchard for cosmic education but the vindication would be hollow for the horror of its meaning. Then he remembers how the shock of Jim’s teenaged strength had disheveled him in semantic blitzkrieg to the point of shunting off "God" and pinning his allegiance firmly on "heaven", the inner-light. He’d never even thought of God since then, what a ridiculous detour!

"Jesus I didn’t think you were real!" Tommy says. "I just thought…"

His dad’s voice echoes: Giant automated machine.

"YOU BELIEVED IN THE CATALOG GOD," God says, searing words into the surrounding darkness. "TO FILE AWAY YOUR FINGERSNAPPING WISHES – HARDLY EVEN A MOLECULE OF THE TRUE DIVINITY. OH YE OF LITTLE FAITH."

"Oh God, you are God!" Tommy wails.

The Godclown looks back with a smile that is a grimace. Tommy can see that God feels totality and is stoically smug in the emotional aggregate – thus He must grimace. Tommy feels like he’s looking at himself sick from syrup, saturated with synthetic chemicals that unravel the mind at high doses and shatter the solid psyche which reforms as the theological basis of the Holy Duality, himself and the Clown, God and the man. No, the boy. He could only be a boy, a trembling little boy before God, because the Clown confirms God’s reality by being the only image that could shake him to his soul, the ultimate power of that one specific sight, holy hell!

Holiness is Sickness beyond death, eternal illness, the unfinished organic project, a half-breath hell. And how did he escape again? Or did he? No, he knows now, his life has been bricks between the blanks, as meaningless as Tetris blocks in the game with no victory, only high scores. God’s face-paint informs him that he’s scored a pathetic 6000, below even OTASAN on level five. The blank is all that’s real, all that’s left when the game’s over.

God contains the blank. It’s sickening, but in horrible necessity for all he knows and desires, God is a guardian against it. God knows the blank intimately and is the only buffer from its chilling proximity – only He can save Tommy from it. But Tommy sees in God’s paint-rimmed eyes that the buffer is temporary. He knew this in the cough syrup coma as a provisional gnostic flailing through a million years of temporary. He forgot that time could be dilated only so far… that the price of returning to his fresh four-year-old Tommy body was to enter life’s final chapter: the prelude to finality. God’s funny face says all of this in the language of verboten medicine he’d nearly purged from his memory. Nearly’s never good enough, the boomerang returns with its razor edge. There was no Santa Clause and there seems no room for heaven in the Holy Duality but there is always God the Clown, the face on the bottle, the face of destiny.

How well fingersnapping had served him when it was sustainable – to fill the cracks.

But now there is only God’s eyes burning with the power of being the buffer to the blank, seeing and being all that could be accomplished given the full comprehension of mortality and the desperation that would age to perfection like vintage wine. God is a living martyr to life itself. Tommy hates this hideous Clowngod but loves Him more because he knows that if those eyes stopped burning he would be FACE TO FACE with the blank and that would be the end of everything. Love for the Buffer is the most painful and true love he’s ever felt, eclipsing his love for the inner-light. This is the outer light. The only light. The final light.

Wait, he thinks. There’s a more benign feeling that seems to blank out the blank: the power of Scuffy! But he’d lost that protection from the Clown-container-of-the blank for accepting sprite aid – the help that had brought him here! No, the void of Scuffy is a blank that’s been etched deep into his life and the brick above it was a violation of the rules of this Tetris level, a talismanic traitor to reality. He knows Scuffy would ward off this encounter but that could never be allowed to happen, it would be ungodly. He must deal with God.

God stares and Tommy stares and the Clown disappears in semantic dissolve, there is only God, God with makeup that is no longer makeup but His Skin, frizzy hair that is nothing but God Hair, no hair, just Godhead, the omega, the gestalt, indivisible except for the crack that is him, the disgusting split in that beautiful life-affirming Buffer, the waste-of-life, the

"ASS-CRACK," finishes God. "YOU HAIRY ASS-CRACK. THAT’S ALL YOU ARE, HIDING YOUR PIMPLY FACE IN YOUR LICEY BANGS. GET THAT HAIR OUT OF YOUR EYES AND LOOK AT ME."

Tommy brushes his hair away with a shaking hand.

"YOU SHOULD BE ON CRACK FOR ALL THE GOOD YOU’VE DONE."

"I d- I didn’t think you would ever want me to do drugs," Tommy stammers, choking on air, nearly retching, feeling as if the words are pulled out of him.

"NO, YOU HAD BETTER THINGS TO DO, BUT YOU DIDN’T DO THEM SO WHAT DOES IT MATTER?"

What a question for God to ask, Tommy thinks. Is it rhetorical? It must be, it’s fucking God!

Then God laughs madly, tittering like a metabolic function. It sounds like the dry cackle of millenarian laughter, an unstoppable nitrous high after which nothing exists but the vocal end of the belly spasm, meaning laughed out. God goes on to speak while continuing to laugh. Between the laughs are well-defined meaning, bloody points speared into Tommy’s consciousness. The Clowngod can make anything mean everything.

"WHAT ARE YOU DOING HERE?"

"You called me down– "

"NO, IN THIS ORCHARD. SO FAR AWAY FROM HOME."

God’s tone, between the clownish punctuation, has become that of a sad and disappointed patriarch – a father who doesn’t ask questions to gain information.

"Um, well, I think maybe this is my home now," Tommy says.

The cowering boy’s meek reply stokes God’s burning eyes into a violent flare though Tommy can only see this peripherally. God has condensed into an angry light and he knows that to look directly into it will bring unimaginable pain. But how can light be angry? It’s not the sum and yet it is, the sum of an angry God. The Clown is a mask, a maddening teflon mask, impossible to peel off any place. He will have to accept the sight of the Clown, and of course it’s divinely perfect because the light of the Buffer is too blindingly beautiful to stand. The Clown diffuses the light as only that conjunction of baggy clothes and painted skin could.

"YOU SHOULD BE BACK AT YOUR REAL HOME. PRACTICING YOUR BEETHOVEN."

Tommy gasps. The most shocking thing about this statement is that he knows it’s not meant to be taken literally. It’s THE symbol, the one thing that could instantly and totally cue him in to the intended theme, the theme that’s been with him his whole life, the one he’s most successfully avoided facing: the theme of failure. God is brutally efficient in activating specific memory patterns with an economy of words. He pulls previously unknown files from Tommy’s brain with verbal triggers. It’s like God is in fact the real owner of the brain and "Tommy" is a cluster of cells in an obscure lobe somewhere. This sorcery is like Candie’s pipe times a million, with sadistic intent and no magic, just the raw power of omniscience.

Tommy’s abandonment of the Moonlight Sonata at age thirteen is now filling the space around God in hyper-reality and that wonderful day of yardwork is spoiled, fingersnapping nostalgia to become branded blasphemy. God allows him to see it extrapolated to infinity, what he should have done forever out of grasp behind the curtains of his bedroom window, lost opportunity, sod and sunlight and failure, sod and sunlight and failure, sod and sunlight and failure for centuries, millennia, just another ill-thought-out eternity, cruelly composed of fond memories.

"STOP IT! STOP IT!" Tommy says, breaking into tears. "YOU SON OF A BITCH, STOP IT!"

God snatches away this small slice of hell, returning the surroundings to merciful blackness. Tommy is appalled to discover how quickly God can make him wish for the end. But just as quickly the end expands back into its full stature, no longer a merciful interruption but a voidful demon, with God’s burning eyes being the Buffer, the source of all light and power, the hideously vital ally. No, he no longer wishes for the end.

Tommy stares back at God, the silent burning buffer, avoiding the eyes. God says nothing but Tommy feels His gaze. Prompting him, compelling him to speak. He opens his mouth and says the first thing that comes:

"Hey listen, I know I abandoned the music. I wish I hadn’t. But you know my life’s alright now. I’m happy – ever since I ran away. It’s been good. Nobody’s calling me names or disrespecting me. I have what I need and I don’t need video games or even licorice. I made a friend although she’s gone, back in the forest. But I was thinking, maybe I could get a job here at the mansion. This orchard, I’ve got a good feeling about the place. It seems to be where I belong. Like it could be a new life for me."

"A NEW LIFE." God says. Tommy feels a wave of sickness rip through him like his blood is bracing for a wallop. "A NEW LIFE. JERKING OFF TO SPRITE PORN? HOW LOW CAN YOU GO TOMMY? NOT EVEN HUMAN PORN!"

Another flash of previously unimaginable emotional pain for Tommy as God performs His monstrous trick of turning heaven into hell. Through tears, he whimpers back: "Sprites are better than humans."

"SPRITES ARE MYTHIC CREATURES. HUMANS ARE FULLY REALIZED. HUMANS ARE A CHALLENGE. THE CONQUEST OF A HUMAN IS A THRILL YOU HAVE NO CONCEPTION OF YOU LARVAL FAILURE. HUMANS ARE FOR MEN. SPRITES ARE FOR BOYS. GIRLY BOYS."

"Candy was no mythic creature," Tommy sobs. "She wasn’t out of any goddamn storybook!" God remains strategically silent, seeming confident that Tommy is choking on his own delusions. After half a minute of him ripping himself to shreds, God continues:

"YOU’RE A DISGRACE. HOW CAN YOU BE CONTENT WITH YOUR LIFE? HAVE YOU FORGOTTEN WHAT THEY DID TO YOU? HAVE YOU FORGOTTEN YOUR PLACE IN THE PYRAMID? IF I HAD ALL THAT "DEVIL-WORSHIPPING" MALARKY PINNED ON ME I WOULDN’T ACCEPT IT. I’D REQUIRE SATISFACTION."

Tommy feels like he’s being gored. The life he’d managed to sever instantly after flipping out and escaping into the woods is no longer a phantom limb but bloody guts spilling out of him. How can he live when he loathes his insides? Tommy groans and turns away. The darkness is chilling but it’s the only consolation.

"PATHETIC. THEY SPREAD ALL MANNER OF NASTY RUMOURS ABOUT YOU ON A DAILY BASIS. THEY PARODIED YOU, USED YOU FOR THEIR AMUSEMENT."

Tommy is remembering, remembering the cartoons they used to draw about him, tape to the walls of the hall, each one outdoing the last, culminating in story arcs about hiring the terminator to travel into the past, whack his parents, and retroactively abort him. It was one of the few things he’d managed to block out before the woods. Why must he remember?

"GIRLYBOY, ALL THE SATANIC SLANDER. AND YOU’RE JUST GOING TO FORGET IT AND MOVE ON? WHAT ABOUT THE PACT YOU MADE IN GRADE TEN? YOU SWORE TO TAKE REVENGE ON THEM."

Ah yes, the pact with himself, a unity of being, true focused selfhood, the man against the void. For a few minutes he’d felt immense power, a new kind of power, something stronger than even the inner light: the power of total conviction and pure will, knowing he would get his revenge whatever the cost. But something had broken the spell. It was the memory of a character from a childhood cartoon – no specific character, just an amalgam of several – some facsimile of a Saturday morning baddie, gibbering mad and screaming: "I’ll get you – if it’s the last thing I ever do!" And then he’d laughed helplessly cutting the power to ribbons. He’d laughed for a solid two minutes. But when the laughter stopped there’d been nothing left.

Tommy can’t bear to look at the void anymore, he turns back to God and discovers there is anger rising in him. The fear is still there but God seems skilled at egging him on. Surely God must intend to provoke.

"What did you want me to do, shoot up the school on graduation day, then blow my head off? Is that martyrdom?"

"NO, IF I WANTED YOU TO DO THAT, I’D BE SATAN, AND I’D HAVE ANSWERED THE FAUSTIAN PLEA YOU MADE IN GRADE NINE AFTER GETTING BEAT UP BY MARK CAUTHON IN THE BATHROOM."

Tommy might as well have been pummeled again, against the void, by God’s burning recapitulating voice. It was another memory that had been entirely blocked until now. Details flood in – the tiles. His blood on the tiles. The low-pitched laugh, Mark motherfucking Cauthon laughing – worse than the cartoon memory. Now he knows why he can’t enter a public washroom without getting violently ill.

"I WANTED YOU TO GET REVENGE BY LIVING BETTER. BY BECOMING A SUCCESS, THE MAN YOU COULD BE IF YOU BOTHERED TO PUT IN THE EFFORT. I WANTED YOU TO BECOME THAT SUCCESS AND THEN SHOVE IT IN THEIR FACES. YOUR REVENGE WAS TO TORMENT THEM WITH THAT LATER IN LIFE WHEN THEY’RE PUMPING GAS AND FLIPPING BURGERS FOR A LIVING."

Oh yes. That was part of the power. God is kaleidoscopically reorganizing his neurons but his true self still stands aside from the repatterning, sick and horrified. He remembers the idea that had occurred to him during the tenth grade pact – the beautiful simple revenge of living better and making his abusers aware of this moral victory in subtle, intelligent ways. But the laughter overpowered. The laughter still overpowers and there’s no humour in it anymore. Tommy laughs humourlessly, thinking of Jim again.

"You know for a deity you’re pretty naïve. Maybe in a perfect world, a world of karmic justice, they’d be ‘pumping gas for a living’, but in reality they’re successful. If there’s one thing I learned at that fucking school it’s the assholes always win and the nice guys finish last."

"IF YOU REACHED YOUR POTENTIAL, YOUR RELATIVE SUCCESS WOULD MAKE THEM LOOK LIKE SQUEEGIE-WEILDING STREET BEGGARS EVEN IF IT WASN’T THE CASE. AND SINCE WHEN ARE YOU A ‘NICE GUY’?"

Another surge of sickness. The futility of arguing with God. God is going to body check him against the void again.

"YOU’RE JUST AS MEAN AS THEM. JUST NOT AGGRESSIVE ENOUGH TO GET WHAT YOU WANT. YOU SENSED THE POSSIBILITIES OF SUCH AGGRESSION BUT YOU COULDN’T FOCUS JUST LIKE YOU COULDN’T FOCUS ON YOUR MUSIC. YOU SAT IN YOUR ROOM AND FANTASIZED ABOUT REVENGE. YOU PLAYED MARIO KART, IMAGINING YOUR VIDEO OPPONENTS WERE YOUR REAL ENEMIES. BECAUSE YOU HAD NO WILL. YOU CHOSE TO BE POWERLESS. BUT IF YOU HAD THE POWER YOU’D HAVE USED IT. YOU STILL WOULD. I KNOW YOU."

"No!" Tommy yells but God knows him to frightful precision. But he’d navigated into the woods on his own. He’d willed himself to do that much. The woods was a place for the dissolution of vengeance. He would strangle Mark Cauthon to death with his bare hands – not before force-feeding the bastard his own pureed testicles. But that is because he’s not in the woods anymore. He’s in the hall-of-mirrors with God.

"YOU WERE A FAILURE IN THE PAST AND YOU’RE A FAILURE IN THE PRESENT. WHERE IS YOUR MUSIC? WHERE ARE YOUR IDEAS? YOU HAVE NOTHING TO SHOW FOR YOURSELF. AND YOU CAN NO LONGER HIDE FROM YOURSELF."

Tommy’s anger flares again, rivaling the fear and pain. God spoiled the party, soiled the purity, the newly-won happiness. God yanked it away like a cheater’s ill-gotten trophy.

"I had a dream," he says, stony, defiant. "Before you fucked into my life. It kind of went nightmare but I was at peace with myself… for a while. I think I can be again. I’d much rather try here than pick up the pieces of that shitty life I left behind."

"YOU’RE MISSING THE POINT! I GIFTED YOU WITH A SHITTY LIFE SO THAT YOU COULD OVERCOME IT. YOU DON’T UNDERSTAND THE BENEVOLENCE OF THAT ACT. YOU DON’T UNDERSTAND THE REWARDS THAT WOULD HAVE COME FROM TRIUMPHING OVER THE ADVERSITY OF YOUR SITUATION, THE BEST OF ALL POSSIBLE WORLDS! NO, INSTEAD YOU ADAPTED TO IT. YOU LEARNED TO LICK IT UP."

The metaphor is as apt as can be. The neuronic repatterning doesn’t seem quite like manipulation. It’s more like the natural dissolution of years of filters, cleaning the plaque out of his synapses. But the plaque, filthy as it was, was a pillow, a comfort. The bare neuronic charges in stark electrical interface are nearly unbearable.

"YOU LAPPED IT UP, YOU THRIVED AS A LARVAL LOSER. THAT DISGUSTS AND INFURIATES ME! YOU WERE MEANT FOR SO MUCH MORE! YOU WERE SPECIAL! YOU WERE DESTINED FOR GREATNESS, EVER SINCE THE COUGH SYRUP!"

The syrup. The words tumble out of God’s paint-rimmed mouth as he knew they would eventually and Tommy shudders, shrinking back into meek mode.

"My parents told me you saved my life when I overdosed," he whispers.

"WISE PARENTS YOU HAVE. BUT I’M BEGINNING TO WONDER WHAT I SAVED YOUR SORRY ASS FOR. WHAT HAVE YOU DONE TO DESERVE YOUR SALVATION?"

"Some benevolent, loving, father-figure deity you are," Tommy sulks.

"WHO SAID I WAS BENEVOLENT AND LOVING?"

"Well how about Jesus for starters?"

"JESUS? DON’T GET ME STARTED ON THAT FALSE PROPHET."

"If he was a false prophet why did you let him live?"

"ARE YOU KIDDING? I HAD HIM CRUCIFIED IN HIS THIRTY-THIRD YEAR! IT WAS A BRUTAL DEATH BUT NOT EVERYONE TOOK THE LESSON. IT STARTED A SILLY HUMAN TREND CALLED ‘MARTYRDOM’. ENTERTAINING FOR A WHILE BUT THERE ARE ONLY SO MANY WAYS TO TORTURE A DELUDED ZEALOT TO DEATH."

"And is that what you have in mind for me then?"

"TOMMY TOMMY TOMMY… YOU WERE A PROMISING CHILD. BUT SOMEWHERE ALONG THE WAY YOU MADE THE DECISION TO SQUANDER THE REST OF YOUR LIFE."

"Hold on a fucking second. That’s bullshit! I never made a decision. I didn’t wake up one day and write a formal proposal to ‘squander my life’. It just… It just kind of happened. Okay? What’s it to you anyway?"

Tommy can’t meet God’s eyes but he sees the buffer flare in peripheral, the wrath of God. He tends to gets wrathful when Tommy asks questions he knows the answer to. But Tommy wants to hear it in words and God obliges.

"YOU FOOL! YOU ARE MY CHILD. YOU ARE MORE SPECIAL THAN YOU KNOW. THAT IS WHY IT PAINS ME SO MUCH TO SEE YOU WASTE AWAY. YOU KNOW WHO I AM. YOU KNOW I FEEL EVERYTHING. YOU ARE HURTING ME BY CLINGING TO YOUR MEDIOCRITY."

Now sharp tendrils of guilt are cutting into the neuronic kaleidoscope revealed by the edge of God’s surgically probing voice. Tommy considers snarking something along the lines of: "don’t you have better things to do", or "shouldn’t you be saving some poor Malaysian villagers from a tsunami", but he knows how petty and stupid such comments would be in the face of God, and stops himself.

"So what, did you just come here to tell me how much I suck?" Tommy asks. "Is this punishment?"

"NO. THIS IS NOT PUNISHMENT." Something changes in God’s eyes but Tommy won’t dare look at them. The voice softens. "LIKE EVERY BAD TURN IN YOUR LIFE, THIS IS AN OPPORTUNITY. BUT THIS IS ONE FOR WHICH I’VE TAKEN THE TROUBLE OF BEING PERSONALLY PRESENT SINCE IT APPEARS YOU NEED THE PUSH. PATHETIC, BUT I STILL DEEM YOUR LIFE SALVAGEABLE. WELL… NOT THIS LIFE. I HAVE A PROPOSITION FOR YOU."

A chill rips through Tommy but the fire is warm. The buffer is almost bearable. Almost. But the chill comes again, along with a vague feeling of déjà vu. And another surge of sickness but there is a slight ecstatic tingle to it.

"I’M OFFERING YOU A DEAL," God says. "AND IT’S GOING TO BE A GAMBLE. YOU MUST TAKE A RISK AT LONG LAST. IT WILL BE THE FIRST STEP IN FORGING YOUR NEW PERSONALITY. I WILL CONFRONT YOU WITH THE CHOICES YOU REFUSE TO ACKNOWLEDGE."

"My new personality?"

"LISTEN CAREFULLY TOMMY. THE DEAL IS THIS: I AM OFFERING YOU A SECOND CHANCE. A NEW LIFE. LITERALLY. I WILL REINCARNATE YOU. YOU WILL START AGAIN AS A CHILD BUT HERE’S THE HOOK: YOU WILL MAINTAIN CONSCIOUS CONTINUITY. THERE WILL BE NO BREAK IN YOUR THOUGHT PATTERN. YOU WILL BRING YOUR TRUE SELF WITH YOU – ALL YOUR KNOWLEDGE, UNDERSTANDING, EMOTION, AND YES, RIGHTEOUSNESS, THE LITTLE YOU HAVE LEFT. YOUR MIND WILL NOT BE ALTERED IN ANY WAY. YOUR BRAIN WILL BE INHABITING A NEW BODY. A FRESH BODY. AND NOT ONLY WILL YOU BE GETTING A FRESH START, YOU WILL BE GETTING A HEAD START. DECADES OF EXPERIENCE AND REFINEMENT OF PERSONALITY FOR AN INFANT VESSEL. HOW DOES THAT STRIKE YOU?"

Tommy is struck dumb. Finally he manages to whisper: "You can do that?"

"OF COURSE."

"Holy shit. Holy motherfucking shit. You’d do that? For me?"

"I MOST CERTAINTY WOULD. YOU ARE MY CHILD. I WILL DO THIS FOR YOU BECAUSE I WANT TO SEE YOU FLOWER INTO THE MAN YOU CAN BE: A STRONG MAN. A WISE MAN. WITH DIGNITY AND RESPECT. I AM RE-OFFERING THE GIFT YOU THREW AWAY SO LONG AGO BECAUSE I AM MERCIFUL THAT WAY. REMEMBER WHEN YOUR MOTHER TOLD YOU THAT YOU WERE A PRODIGY? REMEMBER PLANNING OUT YOUR PRODIGIOUS PATH, YOUR CAREER? I AM PUTTING YOU BACK ON TRACK, THE FAST-TRACK. IT WILL BE LIKE THE LAST TWENTY YEARS NEVER HAPPENED EXCEPT THAT YOU WILL COME INTO YOUR NEW LIFE ARMED WITH ALL YOU HAVE ACQUIRED THAT MAY BE OF USE… AND ALL THAT MAY BE A HINDRANCE. THAT IS YOUR CHALLENGE. IT’S NOT A SILVER PLATTER. YOU COULD SCREW IT UP AGAIN. BUT IT WILL BE UP TO YOU."

Tommy’s head is swimming. It’s a nauseas carnival ecstasy with the added weight of the power he’d felt in that moment of sworn vengeance. The possibilities flood in, pumping excitement into every corner of his cortex. Being himself, twenty-something year old Tommy, in a child’s body – having that jump on society! It would be devilishly fun, and what a second chance! No card for that in Monopoly! The closest thing would be landing on Boardwalk with a bank full of cash. No, it would be more like taking a wad full of cash back to the early stages of the game and buying up the best property before the other players.

Then he notices that the void isn’t so black anymore. In fact it’s not a void anymore. It’s the dirt of the clearing, barely visible, barely brown, but visibly textured. God is still in front of him, internally luminescent in his frilly clown clothes, a massive distraction. But around him, Tommy finally sees a hint of purple and mountainous forms on the horizon. The sun is rising. The orchard is becoming real again. The orchard. What about the orchard? He can’t leave the mansion unexplored. He’s come so far. He must know what kind of help is wanted! The sly, fractional sunlight brings with it the billowing lure of the mystery. In his head, he hears the pipe of Candie. Tears come to his eyes. But God is still there. And the deal is still on the table.

"Aw fuck, that’s… that’s very tempting," Tommy says. Tempting? I’d be a fucking idiot not to accept! Who gets an opportunity like this?

"NOT MANY ARE CHOSEN," God answers. Damn thought-reader, Tommy thinks. It seems an uncouth thing to do. But he guesses if he were God he wouldn’t bother being polite either. "ONLY THOSE WHO ARE WORTHY. YOU REMAIN WORTHY BUT ONLY BY A HAIR – BECAUSE OF YOUR POTENTIAL, NOT BECAUSE OF WHAT YOU’VE DONE WITH YOURSELF THUS FAR. YOU WON’T GET A THIRD CHANCE, I ASSURE YOU."

Tommy is seized with violent shivers of excitement as he anticipates this new life. Mischievously, he imagines shocking his kindergarten teacher by engaging in complex philosophical discourse with her. Fast-track to the academy. Laying his hands on every piano in sight, getting back on the punishing arpeggio regime, this time with focus and prodigious talent to smooth his stardom trajectory. God’s answer echoes: Not many are chosen. Maybe some of those extraordinary historical figures, the visionaries seeing three moves ahead, the impossibly talented or wise beyond their years… maybe they’ve been "chosen" by God in such a way too. Maybe he’s about to become one of them! Mozart incarnate?!

But the sun is rising. The purple horizon is now pink and the clouds above the mountains glow red in the crack of light. The ground is solidly brown and the trees are green. The light is starting to rival God’s luminescence. The scene is gorgeous. Tommy hasn’t seen a sunrise outside the forest since the journey began so long ago. How can he leave at a time like this?

"IT’S YOUR CHOICE. YOU CAN STAY HERE IN THE ORCHARD AND EKE OUT A HUMBLE LIFE, OVER THE HILL AND PAST YOUR PRIME. ANSWER THE HELP WANTED AD, GET SOME MENIAL JOB, SUPPLICATE TO WHOEVER LIVES HERE. BE A SERF, NEVER TOUCH A PIANO AGAIN, NEVER TOUCH A WOMAN, NEVER PLAY YOUR HARDCORE REPERTOIRE. NEVER BE THE MAN YOU ALWAYS THOUGHT YOU COULD BE. SELF-MEDICATE WITH WEAK SPIRITUALITY AND SPEND YOUR NIGHTS DREAMING OF SPRITES…"

Tommy frowns. This isn’t a fair summation. Is it?

"OR YOU COULD TAKE MY OFFER AND ACCEPT THE CHALLENGE OF A NEW LIFE."

He looks past God to the radiant mountain peaks. Yes the scene is beautiful. But it’s just a sunset. Not a new life. There’ll be sunsets in his new life, presumably. He’s enjoyed the forest, communed with nature in a way that may inspire glorious symphonies one day. He’ll take that experience and use it. There will be other beauties post reincarnation. Beauties of the flesh, beauties he’d scorned. Already feeling the optimism that will fuel the triumph of the next incarnation, he’s about to take the plunge and accept the offer. He’s on the threshold of flipping the switch. But God, with perfect timing, reveals the final devilish detail of the deal:

"THERE IS ONE, WHAT YOU MIGHT CALL, CAVEAT."

"What is that?" Tommy asks, feeling like the air’s being sucked out of him.

"IF YOU ACCEPT MY OFFER AND CHOOSE YOUR NEW LIFE, IT COMES WITH A GUARANTEE."

"A guarantee?"

"THE GUARANTEE OF DEATH."

That feeling again, the medicine taste, the spacious alien geometry of the cough syrup coma. The ness of sick. "What does that mean?"

"IF YOU TAKE THE DEAL, YOU ARE ACCEPTING REALITY. AND YOU ARE ACCEPTING ALL THAT COMES WITH IT. THE MIRACULOUS OPPORTUNITY I OFFER TO THOSE FEW WHO ARE CAPABLE OF GREATNESS BUT HAVE SPOILED THEIR CORPOREAL VESSEL HAS AN EXPIRATION DATE. TOMMY, WHEN YOU’RE DEAD, YOU’RE DEAD. THE GUARANTEE IS OBLIVION. LIVE PROUD, LIVE STRONG, LIVE AS LONG AS YOU CAN. BUT WHEN YOU FALL, THAT WILL BE ALL."

It’s finally out. Tommy sensed it coming but it’s still a cruel blow, especially coming from God.

"No heaven? No afterlife? Nothing? What about the light? The shaft?"

"THE SHAFT IS IN YOUR MIND AND NOWHERE ELSE. YOU’VE SEEN WHAT I AM. YOU KNOW I AM THE BUFFER, THAT I KNOW THE VOID. I AM GIVING YOU THE GIFT OF HONESTY THAT GOES WITH THE OPPORTUNITY. NOT MANY ARE CHOSEN TO FACE THIS TRUTH. YOU SEE WHAT POWER COMES WITH THE GNOSIS OF THE BUFFER. THE POWER TO FLOWER. IT’S THE ONLY THING THERE REALLY IS IN LIFE AND IT PAINS ME WHEN IT’S NOT USED BY THE FEW ARE WORTHY. THAT IS WHY I GIVE THEM A SECOND CHANCE."

He feels like he should be flattered here but the emotion welling in him is a vast sick sadness like his negative emotions are pooling in an oceanic flood. The fingersnapping! The inner light! All his righteousness melting into a lake of tears, freezing under the vacuous chill. So cold.

"But what if I stay here? Does the guarantee still apply?"

"IF YOU STAY HERE YOU ARE ON YOUR OWN. YOU ARE TAKING YOUR CHANCES IN A GODLESS WORLD. YOU WILL HAVE NO GUARANTEE ONE WAY OR THE OTHER. YOU WILL HAVE TO BASE YOUR DECISIONS ON THE PATTERNING OF YOUR OWN FEEBLE BRAIN. AND HOW WELL IT’S SERVED YOU SO FAR." God chortles. "SO YOU SEE WHAT A STAGGERING WASTE OF AN OPPORTUNITY IT WOULD BE. BUT IT’S YOUR CHOICE. AND YOU KNOW…" The fire flickers into a subtle change of hue: "IT’S ALSO YOUR CHOICE WHETHER I’M RIGHT OR NOT. MAYBE I’M WRONG."

"What? How can you say that?"

"OH, I’M JUST MAKING SURE YOU’RE EQUIPPED WITH ALL COGNITIVE OPTIONS. FREE WILL IS THE GAME I’M IN. I MADE YOU A GUARANTEE AND I STAND BY IT. BUT YOU MUST DECIDE WHAT YOU BELIEVE. THIS IS A TEST OF FAITH."

"Faith in the void?" Tommy whispers. The buffer burns with approval.

"IF YOU STAY HERE YOU WILL NEVER SEE ME AGAIN. YOU WILL HAVE REJECTED MY OFFER AND MYSELF. YOU WILL DIE AS A PEASANT SERF HOPING DESPERATELY THERE IS SOMEHOW SUBSTANCE TO YOUR CHILDISH AFTERLIFE FANTASY RIFE WITH CATALOGED FINGERSNAPPING WISHES."

God repeats the phrase fingersnapping with such naked contempt, Tommy wants to cry. But his tears remain frozen – the vacuum present in God’s guarantee is chilling him to the bone.

"BUT I AM STILL ALLOWING YOU THE OPTION OF CLINGING TO YOUR DELUSIONS."

Tommy scowls. He’s not signing on to this gnosis yet. The forest was enchanted and his "delusions" brought him there. Maybe he will stay in the life God declares to be mediocre. But he didn’t like God’s use of the word "supplicate" in describing his orchard destiny. And if he only has one life to use...

"DO YOU KNOW HOW OLD YOU ARE TOMMY?"

"Twenty-one, twenty-two. It’s gotta be around there."

"YOU ARE THIRTY-SIX. LOST TRACK OF SOME TIME THERE, DIDN’T YOU?"

A sledgehammer to the gut. Vertiginous sickness.

"How can I be thirty-six? It can’t have been that long goddamnit!"

"TIME FLIES… WHEN YOU’RE FUCKING AROUND WITH SPRITES IN THE WOODS."

"Fuck… I’m thirty-six already?"

"YOU WASTED YOUR PRIME WANDERING IN THE FOREST WITH NO DESTINATION. YOUR BUDDING TALENTS HAVE ATROPHIED. NOW YOU CAN’T PLAY A C MAJOR SCALE TO SAVE YOUR LIFE. YOU’LL HAVE NO PRODIGIOUS CAREER. YOU’RE PAST YOUR PEAK IN EVERY WAY, PHYSICALLY, INTELLECTUALLY, SEXUALLY. THERE’LL BE NO YOUNG GIRLS FOR YOU DIRTY OLD MAN, I KNOW HOW MUCH YOU LIKE THEM. YOU’VE GOT TO GET THEM WHILE YOU’RE FRESH. YOU’RE BECOMING DECREPIT, YOUR BODY’S FAILING. IT’S ALL DOWNHILL FROM HERE MY POOR BOY. YOU’RE NOT HEALTHY. YOU THINK THOSE MUSHROOMS WERE LIFE ELIXIR?"

Each word daubs him with decrepitness like death’s paintbrush. It’s the physical version of his brain’s filter dissolution. He’s seeing his body as it really is, just as his naked brain had been revealed in God’s repatterning verbal triggers. He feels horribly unhealthy. He feels the organic entropy of reality. He sees himself, scrawny, ragged, with thinning hair – a walking corpse. Thirty-six!

"REMEMBER THE DEAL. WITH CARE FROM THE BEGINNING YOU CAN CARRY YOUR BODY THROUGH YOUR NEW LIFE FOR FIFTY, EVEN SIXTY YEARS AS A TEMPLE, A TEMPLE REFLECTING THE DIVINITY OF YOUR SOUL. AND BY THEN, IF YOU REALIZE YOUR POTENTIAL, YOU’LL HAVE SKILLS, RESPECT, AND RICHES BEYOND YOUR IMAGINATION. NOT BEYOND THE PALE FACTS OF THE IMAGINATION – IT’S THE TEXTURE I WANT YOU TO EXPERIENCE, THE DETAILS, WHAT YOU’D NEVER THINK TO FANTASIZE, WHAT YOUR STUPID FINGERS WOULD NEVER MAKE REAL. YOU DON’T THINK YOU LIKE THE TASTE OF PUSSY DO YOU?"

"What?"

"YOU’VE NEVER TASTED CANDACE COLVIN’S."

Tommy is appalled at God’s coarseness but an involuntary bolt of lust strikes through him with a vertical endorphin rush. The last name. God was right on it. He’d never even imagined her pussy – her gorgeous blond hair had been the main attraction. Well that and her tits. They went well together.

"YOU ARE NOT SPECIAL BECAUSE OF YOUR DAMNFOOL IDEA OF SNAPPING YOUR FINGERS BUT BECAUSE YOUR IDEALS ARE DIVINE, MORE THAN YOU KNOW – AND THE UNIVERSE IS PLAGUED WITH SHODDY IDEALS. BUT THEY ARE NOTHING WITHOUT TEXTURE. IF YOU ACCEPT MY OFFER YOU’LL KNOW WHAT I MEAN. IF YOU DON’T, YOU NEVER WILL. WHAT A MONUMENTAL WASTE."

God falls silent for a long stretch of time. Tommy takes in several deep shuddering breaths. The mention of Candace has got him charged up. The mention of the voidal guarantee is still chilling him to the bone. This counterpoint is a grating cognitive dissonance.

"I’VE GIVEN YOU ENOUGH TIME TO PONDER. THE DEADLINE FOR DECISION IS… SIXTY SECONDS."

"What?!" Tommy wails.

God extends an arm from a frilly sleeve, wrist out. An oversized digital watch in the shape of a daisy with a green-glowing LCD counts down from 60.

"IF THIS WATCH REACHES ZERO, I’LL BE GONE AND YOUR CHANCE WILL BE OVER."

Oh the cruel bastard, Tommy moans. The buffer burns beautifully, a microcosm of God’s abysmal guarantee, the grim reality of death. His opportunity is ticking down to its end and he watches this like a deer caught in headlights. Deadlights. Deadline. But he can still accept! There’s still time! If he takes the deal he can inflate the microcosm into a macrocosm, a new life, a final lunge for greatness! With – with – oh God, oblivion, can he even comprehend that? Panic, nervous system haywire and God is fading. The clown becomes transparent in the clearing, revealing the mudspotted grass field behind. But he can still see the buffer, the final point of light, as God fades. After having seen the terrible beauty of the buffer could he live with its passing?

30 SECONDS.

A part of him dwelling in some stinky basement of the brain, a reptilian creature that is so intimately connected with his true self he can’t name or personalize it, has slithered into his foremind. It doesn’t want to believe God or the guarantee and will fight God’s gnosis with its last drop of strength. The reptile is more powerful then anything he keeps in his regular roster of selves and more base than even that which allowed him to drive a nail through Jayson’s hand. It fights its way into his consciousness, easily overcoming the God-fearing tremulents. Tommy knows that God intended this struggle all along.

15 SECONDS.

His brain explodes in confusion and chaos, fight-or-flight fugue state, contrapuntal dissonance. Gnosis erodes and it comes down to a trembling roll of the dice. God continues to fade revealing the orchard scene. But isn’t it just a little too… unreal? Too… fairy tale? The gingerbread house – too saccharine idyllic like the dream that had awakened him to God’s reality? Wouldn’t he really like to storm that high rise, conquer, bang Samantha and Candace together? Oh God, two girls, better than the void…

10 SECONDS.

God is nearly invisible. The gnosis is gone. He has his ordinary mind back and only his gut to go on. And God is making him gamble for the highest stakes imaginable. Memories are hazy in his rickety analog hard drive. Can he believe God? Can he accept the chilling reality of the void? The end? But not yet! Not yet! The buffer! He finally allows his eyes to look directly into the buffer – THE OMEGA OF BEAUTY! HE SEES! THE CLEAREST SIGHT HE’S EVER SEEN AND GOD IS FADING BACK IN ANTICIPATION –

"I accept! I accept goddamnit!" Tommy screams and God is back, grinning ear to ear, face paint cracking. Tommy collapses on the ground, wracked with violent sobs. The tears are flowing again. He feels like he must have died. His heart exploded. God is mortal. GOD IS MORTALITY. His power comes from facing death’s reality. Now Tommy will become an instrument of God.

"AND YOU WILL FORGET GOD. YOU MUST. IT IS A MERCY, I ASSURE YOU. YOUR DESTINY IS DIVINE ATHEISM."

"Oh God," Tommy groans. "What have I done?"

"YOU HAVE MADE THE RIGHT CHOICE. YOU HAVE PROVEN YOUR FAITH IN THE VOID. YOU TRULY ARE A CHILD OF GOD."

Tommy’s body shivers with inhuman oscillation. So the test is complete. Tommy believes in the blank. The blank bastard. To forsake all fingersnapping. Funny that he’d based his spirituality around the afterlife without God only to eventually accept the opposite.

"CONGRATULATIONS. SO YOU’LL PLEDGE TO DO IT RIGHT THIS TIME, I TRUST."

Tommy nods.

"I DON’T WANT YOUR PLEDGE. I JUST WANT YOU TO DO IT."

"I will," Tommy says and swallows hard. He feels some grievous psychic injury: the chill of the void splintered deep into him – but also relief at having made the decision. And a power is slowly welling in him, swelling his capillaries with potential. He can feel his brain changing – opinions are now morphing alchemically. When he closes his eyes he can see the paradigm shifting in kaleidoscopic abstraction. He is mesmerized.

"THERE IS ONE SHORT ORDER OF BUSINESS BEFORE YOU LEAVE THIS LIFE."

"What is that?" But Tommy can sense the shape of it. It’s being slowly defined by the kaleidoscope. Themes start to emerge. Sinews of a social consciousness. The visuals become the scaffolding of words. Quotations from Kapital.

"YOU HAVE SOME BAGGAGE THAT CANNOT BE BROUGHT THROUGH."

Baggage… Something from the past is coalescing in the kaleidoscope. A cartoon cover of a manifesto. His manifesto. His avatar, rendered in smudged graphite: a scarred body with a fuck-off face, a ragged gray jacket with a Soviet star on the lapel, and a veiny hand with a firm grip on the punishing stick. His other hand is snapping its fingers. His downtrodden self stands proud in poetic isolation, eternal injustice. It was his most prized drawing, the perfect self-portrait. He kept it in a special box in the closet of his bedroom. And under the cover the pages flip inside his head: the words – wonderful words of loss, of being stripped away to graphite by reality’s cruelty, right down to the avatar, the picture of the inner light. He remembers his manifesto.

And below the words in that kickass stack of text, the music! The music to counterpoint the text, a media-melding summation of indignation, perhaps eventually to be an opera. A rocking comic opera with sarcastic Shostakovich-like orchestration, absolutely righteous rage against the injustice of life. POETIC INJUSTICE! That was what it was called!

He hasn’t thought of it in ages. It was what had kept him alive in those awful days of social-scholastic torture. In the absence of effective revenge it had been something to live for. It was going to be his alternative artistic statement – deliberately going against the grain, every aesthetic principle. It was a masterpiece of grotesquerie – not classically disciplined and virtuosically perfect. No, it employed another order using every failure. It was brilliant!

Tommy imagines taking this work back with him to his new life – he could never reproduce it but he could expand on it with the technique he will hone to perfection in reincarnation. Yes! Surely God can reproduce it.

"YES I CAN REPRODUCE IT. IN FACT, I HAVE."

God is pointing straight at Tommy like he’s supposed to turn around. He does and sees his special box, ten paces in front of him. He runs toward it, pops open the handle, and finds his manifesto, exactly as he remembers it. Grinning deliriously, he flips through it. The brilliance is back! And under the manifesto is a copy of Scuffy the Tugboat.

"YOU WERE GLORIFYING YOUR MEDIOCRITY."

"What?" God has jerked him out of his nostalgia. He turns back.

"IT WAS A WRECK. A WHINE. IT DISGUSTS ME."

"Fuck you!" Tommy hollers.

"IT WAS NO GOOD TOMMY. IT WAS NOT FOR OTHERS. IT WAS INDULGENT AND PRETENTIOUS. IT WAS NOT BRILLIANT. IT WAS BABBLE."

Oh you cruel bastard, Tommy thinks again. He should know better than to cling to an old scrap of heaven while God’s hanging around. God has the tendency to subvert those.

"It wasn’t babble!" he protests. "It was my statement! I could make everyone understand what it was like for me – especially if I honed my techniques."

"IT’S CONTRADICTORY TO YOUR NEW PARADIGM. IT WOULD BE UNHOLY TO FUSE YOUR OLD FEEBLE PHILOSOPHY WITH THE STRENGTH OF YOUR SOON-TO-BE CULTIVATED SKILLS. I WANT YOU TO DESTROY IT."

"What? But I loved Poetic Injustice! I still love it! I want to bring it back with me!"

"I WON’T ALLOW THAT. IT OFFENDS ME. IT’S PHILOSOPHICALLY INCORRECT. IT’S GODLESS COMMUNISM."

"Oh, my work is communist is it?" Tommy says with a snort.

"YES. AT LEAST HAVE THE STONES TO ADMIT WHERE YOU STAND PHILOSOPHICALLY. OWN UP TO YOUR IDEOLOGY."

"Okay, maybe it is communist. What of it?"

"IT’S A SUMMATION OF YOUR FAILINGS. IT’S WRONG ON SO MANY LEVELS. THIS ISN’T THE PATH I’VE SET YOU ON – TO REPEAT YOUR MISTAKES."

"Jesus fucking Christ." Tommy scowls and kicks the dirt. God says nothing. Tommy paces. Stares back at the box. Takes a good look at his graphite avatar, scrawny, Soviet. The empire that died with a whimper. The switch. He flips. The raging kaleidoscope finally gives way to transparency. No more bullshit. He turns on himself, his former self.

"Fuck the art," he says. "That’s Tommy’s art. Tommy’s dead."

God beams a clownish smile at him. "PERHAPS YOU WOULD LIKE TO MAKE IT OFFICAL. SYMBOLIC ACTS CAN BE REWARDING."

God has produced a can of gasoline and a book of matches from nowhere. They are set in front of him. Tommy picks up the can and douses the box, lid open, soaking his manifesto. Then he lights a match and throws it in. A ball of flame billows up and the paper instantly blackens. Tommy stares into the fire, feeling euphoria blossom inside him.

"Die you loser FUCK!" he screams. "I don’t need you anymore!" He starts chuckling, then laughing wildly. He likes the sound of his laugh. It sounds like a different person, a cauterized person. Sparks and glowing ashes swirl into the air. The box fades and vanishes.

***

"NOW IT’S TIME TO GO," says God.

"So soon," Tommy whispers. He looks around the orchard. A brilliant sliver of sun can be seen poking above a mountain peak. Light streams into the valley, emphasizing the fresh chlorophyll of the cherry trees’ highest leaves.

"Is there any chance I’ll encounter my younger self in the new life?"

“I WILL SEND YOU INTO ANOTHER QUANTUM FRAGMENT – A DIFFERENT BRANCH ON THE TREE OF FRACTAL POSSIBILITY. A CLOSE ONE BUT THERE WILL BE SOME DIFFERENCES. YOU WON’T BE ABLE TO PREDICT THE FUTURE AND MOST OF THE PEOPLE YOU KNOW FROM THIS LIFE WILL NOT BE PRESENT. BUT IT WILL BE A FITTING PLACE FOR YOUR TRIUMPH, I ASSURE YOU.”

"So you’re really going to reincarnate me?"

"YES. IT’S TIME."

"Will it hurt?

"THAT’S THE KIND OF QUESTION TOMMY WOULD ASK. ARE YOU STILL TOMMY?"

"Fuck no. Bring it on."

God beams his red-rimmed smile. Tommy’s heart races with terror and opportunity. God’s words bubble up in his brain. Respect. Power. Triumph.

I thought I was trapped in an Ayn Rand novel before, he thinks. Now I’m deliberately venturing into one. No, fuck that. This is a Tom Lewis novel. I’ll do it my way.

Tommy waits for God to transport him – he has no idea what to expect. But as he waits he begins to feel an imperative, an itch in a muscle he can’t locate. Something compels him to feel the blank, use the blank, explore its cracks to see where they lead. Is this the method? He is getting swept up in some kind of process as the déjà-thread unspools, settles around him like black-ops paratroopers. He can’t tell where his will ends and God’s begins.

Now a liquid sensation – he feels like he’s swimming. The world is blurring in a mindblowing way, the orchard scene bubbling and stretching and warping hyperdimensionally. He realizes that it’s not space but time that is liquefying, causing a visual cross-section of its unbounded space to twist and smear in tandem with the dance of his chronologically shearing mind. And somehow he’s experienced this before! Not in the cough syrup coma. "Before" that, but time is not linear anymore so it’s not really before.

Then the most chilling sensation he’s ever felt as the warping world twists into nothingness. All is black and he is face to face with the void. Shake off the blank, he thinks. SHAKE off the BLANK! He is flailing, not navigating, and God is nowhere to be felt. Is this death? Was God’s deal a sham?

Blind agony beyond physicality blooms in the void. Where is the inner light? If God’s deal is a sham, surely at least the light is real! This is the black field he dreamed of under the chestnut tree back when he was an apprentice visualizer, but where is the shaft of heaven? Ah heaven, how could it not be here? Forget heaven, he would settle for the orchard, he would settle for the school, he would settle for a speck of light! The desire to snap his fingers – but fingersnapping is heresy in the new paradigm of divine atheism! If he could snap his fingers he thinks maybe he could get those dreams back. Maybe all he needs is one final snap of the fingers to cement his life’s catalog – NOW – when it counts the most, if his younger self will forgive his betrayal.

A feeling of flesh, a fingertip, the tiniest accumulation of tactile data detectable – the only thing in the void. He presses down on it. A sound, A SNAP! A split. A violent tearing in two, of what he doesn’t know. A part of him is gone, snapped right off. But something else is felt. A warm spot in the ether, the spot that feels strangely feminine, a dollop of estrogen. She can reach it. Just a little further – to light and substance and –

***

CRACK!

It seems like lightning, bright beyond light, loud beyond sound, pain beyond feeling. She is on the ground. Her arms and legs are twitching violently, out of control. She’s biting into her tongue. Blood and saliva are flowing down her chin. Vision is a gray blur. Her eyes have rolled back.

When they roll forward again things come into view: a field of grass sloping downward, thick rain pounding the ground, and suburban sprawl at the foot of the hill. A flash in the sky and the burn sears into her whole body, her brain. She tastes burning, smells burning, hears burning and a scream from the houses below. There is a soccer ball tumbling down the hill.

What is this? she thinks. What is this world? How can I live here?

The burn crisps out her consciousness. She is reunited with the blank.

***

"I told her not to play outside in the storm! I TOLD HER!"

"It’s your fault we didn’t get the lightning rod!"

Shrill bickering voices, unhinged, and a bright light. The hospital again. Déjà vu. Has it really been a whole life since those eight ounces of Nyquil? Her eyes open. She is hooked up to machines. Again. Just like coming out of the cough syrup coma. The past life… It’s still there, accessible in memory! It worked! It really worked! God came through! And so did… she?

Yes, she feels like a she somehow. She doesn’t know how she knows but she does. And a two-torsoed beast is standing in front of her bed, the grim woman clutching a teary-eyed man. Who are these idiots? Not her parents damnit! But they are. External paternal maternal love radiates out of them and bounces off her burnt body.

"Tiffany!" the father wails, arms outstretched. He is restrained by a nurse.

Tiffany? Tiffany? Jesus God. It’ll have to go.



11/12/05

Self Pity

He contemplated the pain
in stoic appreciation
the weight of the tragedy
an aesthetic decision

raison d'etre

a wonderful mystery
why is pain more bearable
in synesthesia?

11/03/05

The Piffle Dream

The piffle tree
is the magic word
that isn't so magical when I wake up
and shut off my alarm before it rings

But my wiser peer, my sly spirit guide with the smile of a pre-canadian
painted tree sap on my hand, a blend of resin that would rub into my skin
on my full stomach, catapult me into that world

i got farther than they imagined though
that committee planning my shamanic education

after sapping my hand, the middle aged indian man set me on my path - it was a relaxant and even then i could sense it was an unconventional hallucinogen, nothing erowid had prepared me for - could i expect it to anesthetize my sure-to-be-bloody journey? would it turn into the most thin veneer possible to get me through?

i set up a steep staircase that had been carved out of the smooth wood of a bare brown tree. Everything had the sparkly look of a tryptamine come on, suggesting hallucinations that had yet to engulf me. The upper "floor" opened some innerlobe doppelganger, marshlands, hills, and vast strangitudes

it started when i was meditating on choosing the way of the warrior
"i'm not a warrior" i thought, but i discovered i had a sword anyway
maybe i could be, could try to be at least

then my senses heightened, i saw
that i was seeing in panorama, taking it all in, keen
the way a warrior would be, and a wolf was on my trail

i whipped around, sword at the ready
(amazing the archetypes at this stage)

the wolf was big, meaty, teethy, furry, gray
leering at me, but was he an enemy or an ally?

then i saw the bear lunging for me from the other direction but the wolf lunged at the bear - i turned and watched them crunch into each other viciously, teeth locked on flesh

they snarled and screamed, talking to each other intensely wordlessly amid the violence - it grew more and more horrifying, i would think there's no meat left to shred and more would be shred, more blood shed and the roars and pain rising - they wrestled with each other becoming one bloody being in some crack below the tree-step separating the staircase with the new land - they sank into some fluid subether where they flailed and it seemed one of them was compelling me to kill it. I stabbed my sword into the mess aiming for what looked like a brain, really shredded tendrils wrapped around bits of skull. My first stab was not perfect but after more and more assured pokes, I managed to kill the consciousness in there.

I set off again. What a harrowing start to the trip. It turned into an eerie cartoon land. Music and synesthetic visuals creeped in, a madcap music with orchestral grandeur, the melancholy of divine folly, always something to subvert the simple truth. It was a half-overcast british columbian forest scene but I tripped into sewer corridors of skeletons, purposeless fluids, and dark technological ruins with incomprehensible forms of life flickering peripherally around me, quantum flashes of technology. It was like "great-old-ones" detritus with older wiser mammals who had found uses for the abandoned, semi-powered infrastructure we humans had never conceived of - it was a crazy nauseas vertiginous feeling seeing this end of the cycle in my modern context, fractaltech with furry fingers slick with sticky dregs, however far modernity could penetrate this native-canadian framed dream.

I got to a new crack ~ sub sub, feeling the anesthesia wash over me - ah yes, THIS WAS A DRUG, sleepy hallucinotime, i was becoming a fish, a bright tropical fish swimming in a sea of writhing visuals, occasionally bubbling into meaning, happy to twist with the current until all condensed into truth

but i emptied out into the brown-skied vista with the blue mansion where i stayed for ages, forgot who i was, forgot the whole frame - i became a pinball bouncing around the corridors of the mansion, interfacing absurdly with musical notes that were connoisseurs of hallucinations, connecting to nodes of lunarcafe still protruding from my neurons, diving through cushioned caves of compressing emotional outbursts, slights, self-pities and righteousness - i lost myself completely, sprouted about five new dreams in that interior but they aggregated into a severe parody of my mission and i wound up back at the treetop swamps

i felt i was coming out of it but i was still heavy with tinges of nightmare. The first time "back" was an exalting feeling of having made the journey, carried it through in a rosy glow of half-hallucination, dreamy anesthesia with the knowledge that i'm coming back, that soon i will be back in the bedrock of reality, newly born, knowledgeable, a warrior... but where was my sword?

no sword, just more rooms in the tree-dwelling, apartments carved out of limbs with windows looking down on oceans, cliffs above beaches, multicolored seas - crowded rooms with weird old men and women looking disapprovingly at me, was it because i was still obviously intoxicated and didn't know it - or had i just failed the quest? wrong place, wrong time? i felt i was engulfed in hallucination looking at a ridiculously adorned version of my real home trying vainly to communicate with the cast’s counterparts: help! i’m lost here – what can I do?

i blundered into a room where none seemed concerned with my plight – cryptic messages met my senses: "i'm nobody's fuckbuddy" and orgy scenes, penises in cigarette holders, crusty quasi-condoms and a lot of sucking, looking for an orgasm - i abandoned the quest and attempted to live there for a while but it shifted

and i was back again, the treetop hole where i had killed the wolf and the bear, and i knew more now, knew that i had another chance but what chance was there really? but i would try again, what else could this fish do? cynically i charged down the spiraling treetrunk staircase putting on my best enlightened face and finally remembering something the indian guide had said, a word now finally magic, "piffle", a cultural artifact and carbon-based rosetta - it felt vaguely like a CLUE, a RIDDLE I didn't understand but nonetheless possessed the solution to -

and in dubious awareness of the secret
again, in a deja-dream loop, i leapt down
a flight of hollow wooden stairs in a claustrophobic tree trunk
in an ancient blue-tinted mansion, in a western,
to emerge in the clearing, populated with families, a
community i was being initiated into at whose behest I had no clue

and i shouted "PIFFLE"
and everyone smiled and broke into hearty laughter
a sly welcome
and i felt
vaguely
like the warrior's real homecoming had occurred
and i felt
vaguely
enlightened although i knew something was missing and then my guide
shouted "piffle" back at me and then
like the flick of a switch

i woke up

and here i am, collecting scraps, glue evaporated

still sick, getting sicker, talk of enlightenment and duality with dez
still bubbling into my mind, she declined to take it to infinity
i wouldn't know what to do with that anyway, and i’ve
got to go to work, maybe i'll drive
throat in shreds, stomach churning a strange diet
of fun-sized chocolate bars, salad, chai tea
grilled-cheese sandwich, french fries, bread and feta...
comparing a character from "renegade"
to my much stranger indian guide, personality texture spun from
layers and layers of local garments
thread-lacquered euro-legend
there's probably a joyce novel in that

i flicked the light on when i swam back into this world

piffle?

10/26/05

Original Sin 1.6 - Tommy and the Clown

Tommy doesn’t know how old he is anymore. He thinks maybe twenty-two but he’s not sure. At least four winters have passed, give or take a few. He thinks maybe he could be immortal in this forest. If he’s aged he hasn’t noticed. But it might be that his thoughts are aging. And it might be that he’s dreaming of home more often, the novelty of the memory of perverse humanity. The terrain is changing, sloping downward. The trees have turned deciduous and the forest veins are getting wider like the mouths of large rivers. They begin to resemble regular, human-beaten paths again. And Candie is away more often.

Shortly before the great change that is to come, Candie returns to offers him a prophecy that sounds like a prelude to permanent departure.

"The fairies will help you," she says.

"The fairies?"

"You may need their help in the future and if you seek it you will find it. I know because you have the manna."

"What’s that?"

"You had Scuffy, that is a mark of the manna. We now have Scuffy but you still have the manna."

A stinging cocktail of emotions pulse through him when the sprite mentions Scuffy. "Hey, do you think I could get a look at him again? It’s been a while."

"Scuffy is far away," Candie says. "And your journey is almost at an end."

"It is?" But there’s no point in questioning this, he’s sensed it for days. He might not have before starting on the forest trek but now he’s attuned to such things.

Night falls twice before Tommy finally reaches the edge of the forest. A warm summer morning. The trees have thinned. The lack of density makes Tommy uneasy but he’s driven on by his journey’s momentum. Here the ground is deep soil with sparse brush and the occasional flower patch. Brilliant sunlight streams through the edge, the EDGE! Could it really be the edge? After all this time? And what’s on the other side? Candie has accompanied him so far but she won’t leave the forest. Tommy isn’t the least bit surprised but his heart sinks anyway. He’s out of the network now.

"It is time for me to go," Candie says. "I have fulfilled my end of the bargain and you have fulfilled yours. I must spend more time with my family."

"Could you play me a song before you leave?"

"Sure," she says as if she’d been expecting the request. She grabs her pipe and plays. It turns out to be a variation on the Princess theme. She turns it into a haunting adagio and stretches it out for ten minutes as Tommy tears up. When the song is over Tommy notices that Candie’s ears and wings are twitching. It’s time. No more words are necessary, except:

"Bye Candy."

"Goodbye Tomilin," she says. "Safe journey."

Candie flies away, an abrupt exit. The edge of the forest with its streaming sunrays remains but the universe seems to have shifted. Tommy sits on a log and tries to meditate but grows restless. He wants to see what’s on the other side.

***

Turns out the forest empties into a valley. He’s in a meadow of tall grass with stubby mountains on either side. The sun is setting. Tommy is blown away by the scene, especially the sun. He hasn’t seen it like this in years – how did he survive direct sunlight before? It feels like it’s frying his skin. But strangely enough, it feels good. A long-forgotten word pops into his head: Sunbathe. Yes, people can bathe in the sun. It’s okay. Tommy basks in the light. Outer light, but it feels so good. Who needs inner light when the sun is so good?

There is more forest ahead but as he draws closer it appears to be a strange sort of forest. Almost a grid of trees, all similar in height. Then he sees the sign, nailed to the tops of two tall wooden poles:

TWIGSHIRE ORCHARD

Tommy stops to ponder this. The lettering is black and hand-painted. There is definitely an orchard ahead. Looks like cherry trees. Cultivation. The first human artifact encountered since the runaway rupture. Tommy looks around the valley. He sees no other sign of human habitation. He hears nothing but birds, crickets, and a soft wind. He walks directly under the sign and into the orchard.

The next sign of human habitation is a jolt: thin plastic hoses under the rows of trees on either side. Irrigation. Now it dawns on him that he is probably trespassing on private land. The grid is getting to him. He’s not in the forest anymore and there is no sprite to guide him. Vague fascist terrors roam his mind, images of helicopters and police ambush. But all is quiet. Almost hyper-serene. There are calls of bugs and birds and distant mammals but this orchard is sonically sparse compared to the forest.

The cherry orchard is vast. Tommy emerges on the other side to more valley and the next several signs of human habitation: fences stretching to either side of the valley and a house to his right, nearly buried in maples. Further ahead are more trees in grids, open land, what could be crops, and just barely visible, creeping out of the atmospheric haze, a mansion on top of the highest hill, also largely hidden in trees.

Tommy ventures onward. Both the mansion and the house have purple roofs and trim, but as he passes the house, he sees it is dilapidated and uninhabited. It’s a frail-looking two-story structure, Victorian-era. He keeps going, walking parallel to a wire fence with wooden pegs. Sometimes he catches sight of buildings but they disappear in the trees and hills before he can make out any details.

The sun is sinking under the mountains when Tommy enters the large clearing at the foot of the steepest, highest hill. The mansion stands atop it. Its architecture is zany, exaggerated proportions, tall towers and arches, strange angles. For some reason the phrase gingerbread house pops into his head. Candie, who has become a voice in his head, says: What have folk tales taught you about gingerbread houses in the forest?

But it isn’t gingerbread. It seems to be concrete, brick, and siding. It has the same aesthetic as the abandoned house he’d left behind but it doesn’t look decrepit. And now he sees another modern artifact: a single power line cutting through the trees on the far right of the hill. So the mansion is electrified – if it’s still in use. But it’s still so quiet.

Eerie calm aside, the orchard feels inviting and wholly benign like some historical sweetspot, the surreality of the modern artifacts being the secret ingredient. Well he hasn’t been shot at yet, anyway.

He scans the forested hill for some sign of entrance. A little gap at the bottom draws his eyes and feet. It is in fact the beginning of a thin dirt path that winds up the hill. Tommy follows it to another, smaller clearing. Everything above this point is landscaped. The vegetation is deliberate and bright beds of flowers dot the ground. A gravel path winds up the rest of the way, bordered by finely carved stone pillars three feet tall. Tommy’s been in the forest a long time but he remembers what they called this: luxury.

A wall of sculpted red rock towers to the left of the swank path, bracing against the face of the hill. The mansion is still far above and only the rooftops can be seen. There is a sign perpendicular to the wall, hammered into the ground, and just enough light remains for Tommy to read it:

HELP WANTED

It’s in the same hand-painted lettering as the "Twigshire Orchard" sign. A curious grin spreads across Tommy’s face. A job?

He’s always wanted a job. It’s been a repressed fantasy since his falling out with Jimmy. But he used to dream about it all the time on dull days hanging out at the construction sites with nothing to do. They’d never give him a task like he couldn’t be trusted. Meanwhile, lucky Jimmy got to do everything. Probably owns the company by now, he thinks. Tommy would try and make his own jobs but they tended towards the useless and nonsensical. Once he decided he would count the cars that passed the site. He kept a tally. He would justify it later, the work was the important thing. But it was winter and it got cold. He gave up early.

Well someone here seems to want help, he thinks. If there’s actually anyone around. He’s learned to listen to his feet which compel him onward. But his brain compels him downward. It’s getting late and the forest has taught him to sleep after sunset. Tommy blunders down into the woods a little ways. No fractal veins here. He forages for natural bedding. He’ll camp out at the edge of the clearing and decide what to do in the morning.

It’s his first night cut off from the sprites and a deep sorrow settles in. He could go back to the forest and keep wandering there. But hasn’t that played out? It seems the only thing to do is go forward, maybe check out the mansion. If it turns out the place is just a ghost orchard, he can keep going and probably survive – he knows where the mushrooms are.

But the fear starts to gnaw at him too, fear of the unknown, the X factor. There are no barchivist entries for this place. Would he dare interact with humans again? This is further complicated by a flood of loneliness and longing for pink and brown skins, North American urbanized culture – and dread that this might be a possibility. But wherever this is, it’s far away from the math room, Jim Salekin, all the bullshit. All the bullshit he knows, anyway. Confusion. The forest seems unreal. His eyes droop and he lays down his head. He feels better as he drifts off and thinks of the "help wanted" sign. And Twigshire. This could be a good place, as good as the forest was. And there is a plan. Help wanted. He doesn’t know if anything will come of it but there is hope. For some kind of life.

***

Tommy dreams. The setting is a composite of the forest and the orchard, a benign patchwork. There is a whole village of purple-trimmed houses but they are inhabited by wood sprites. The orchard-forest is a thriving sprite settlement. Tommy has been hired to gather mushrooms, a career well-suited to his skills. The dream is interspliced with fragments of his life before the forest. There is a video arcade in the village square where sprites play Tetris and Mario Kart. Beyond the largest hill is a construction yard where humans and heavy machines dig earth, mix concrete, haul bricks.

On a mushroom gathering trip, Tommy looks to the construction site with yearning. Luxury condominiums rise from steel frames. At the top of the building is a penthouse with the neon outline of a curvaceous female nude. A bright red sports car pulls into the just-completed parking lot. Candace and Samantha exit the vehicle dressed in skimpy attire, light reflecting off their shades. They walk purposefully into the building through a blue-tinted revolving door. Tommy stares wildly, driven mad with lust for the whole scene.

But sports cars and high rises are wrong! he thinks, they’re everything that’s wrong with the world! Then he looks back to the sprite village and a strange emotion pulls him in its direction. It’s a scene of goofy dignity – with sly paradox, it contains both extremes. Beyond Zen. A cold shiver rips through him, a shiver of delight. He sees how pathetic his niche is, picking mushrooms for the sprites, and loves it. The humility. He’s not even one of them. He isn’t even allowed at their meetings. He is a loser but he is content. Wrong but oh so righteous joy, the thrill of blaspheming the secular God, the secret method of rebellion. True rebel cool, the only cool there is any more, divinity of the anti-god which is formless and infinitely varied. Fractal hallucinations creep in from all sides, along with a feeling of dread. But the visuals are so beautiful! Dreadfully beautiful. A beckoning finger forms in the middle of them.

Suddenly Tommy is in one of the sprite homes and Candie is beckoning him to her bed. He is finally allowed, same height, he is a sprite, his birthright! But the dread swells even as Candie strips off her bark. Now that he is allowed he doesn’t feel worthy. What has he done? He’s relied on charity and Scuffy. He didn’t draw Scuffy. He’s not a creator. All he’s done is pencil in a bunch of crappy music while he was supposed to be learning algebra, a few songs, and a silly "manifesto". He gave up practicing, never honed his piano technique. Maybe one day he could have played for Candace but he didn’t even try. Never did anything of substance, charity case, basket case. Probably couldn’t even weave a basket to save his life. Candie is so beautiful and the sprite home is endearing but it’s so wrong. Even this contrition feels wrong. Stop being such a goody-goody, it’s saccharine and sick! he screams at himself. Be a natural rascal at least, be happy with something, something real! But he can’t be happy with anything, good is bad, all is wrong, all permutations of existence. This is hell, it must be! Life was a delusion for the purpose of allowing hell’s hellishness to be fully felt and now another aeon of immeasurable wrong – panic, horror, and then a voice cuts through it all: "TOMMY!"

Tommy wakes up with a gasp, the voice still ringing in his head. The voice was clarity itself: strong, stern, lucid, and the only thing that could have saved him from hell. He won’t call it the blank although that’s what it sounded like. Does he still believe he was in hell? No, just a dream, thank God. It’s pitch black and there are no stars in the sky. Some clouds must have moved in. He gets up shakily from his bed of leaves. Still camped on the hill, he’s relieved to find. Post-dream orientation is hard enough in a familiar place. Sight is near impossible.

"Tommy."

The voice again. Tommy shudders. He knows he’s not dreaming but it’s the same damn voice. The dread is back, bile rising in his throat. The voice is a sadomasochistic beacon – he wants to run toward it and away from it at once. He knows there’s no escape.

"Tommy."

Tommy stumbles upward through the brush. A few steps and he’s in the clearing. The voice is in his head but it also seems to have a direction associated with it. The lower clearing. Tommy can just barely make out the edges of the path and shuffles down it. The dread keeps rising, higher than he thought his specs would tolerate. Maybe he is still in hell. The voice continues to call his name at regular intervals, luring him like a moth to a flame. It’s like the beckoning finger in the dream except it isn’t in the middle of a hallucinogenic mandala. And finally Tommy identifies the feeling of saccharine hell that erupted at the end of the dream, that still lingers in unspeakable antiquity. It has a taste, a medicine taste.

Tommy reaches the end of the path and homes in on the center of the gently-sloping lower clearing. All is black. Except… there is something ahead. Something white and in possession of his will. He keeps walking.

"Tommy."

It is the source of the voice and he doesn’t want to see but he does. It is internally luminescent, the only object visible in the dark. It is the clown.

"Hello Tommy."

He walks in terrified automation. Twenty paces from the figure, the resistance of his horror levels with the pull of the beacon creating hellish equilibrium. He stands before the clown.

"Don’t you know who I am?" it asks.

"No," Tommy breathes, horrified.

"You know who I am," says the clown with a toothy grin.

"No." He can’t admit it.

"Yes you do."

"No."

"I’m God."

"Oh God no." But he knows it’s true. It’s been a long time. His mind stretches back like an elastic all the way to the cough syrup coma – eight ounces of Nyquil, the floor. The elastic snaps along with his sanity.



10/15/05

The Pongo Summit (a Round Table with certain world leaders in stuff)

Pongo: Ladies and Gentlemen, things are heating up and I don't just mean the polar icecaps. The time is ripe for diplomacy.

Reverend James Christsmith: The endtimes!
Terence McKenna: Maybe it's a fractal wave of fire reflecting the transdimensional object at the end of time.

Reverend James Christsmith: Silence, disciple of Satan! You're dead, you can't be in on this discussion!

Nirvana: Didn't you read the summit agreement Reverend?

Reverend James Christsmith: I skimmed it.

Nirvana: Paragraph fifty-three, fifth clause, allows the dead to participate but explicitly bars old testament spirits.

Reverend James Christsmith: Well that's no fair.

Pongo: Please guys, let's stick to the agenda. We'll discuss some things and then I'll regale you all with my soothing techno icaros as you suck the vapours from the Detroit Syndicate Club's seven-chambered hookah and forget your fears. You will remember the beauties. You don't believe in them now, you hold them to be long-evaporated hallucinations from the naiveté of childhood. You "know" this like you know how much money's in your bank accounts.

Slobodan Milosevic: I never had a naive childhood. My mother killed herself when I was five and my father became a jester at Stalin’s court.

Pongo: Sorry Mr. Milosevic. But most here have seen their ink-rendered hallucinations in the past at least, perhaps in the benign cage of the cradle. Terence still visits them with DMT. Dilato calls them "rhomboid angels". Why I'm not sure, never understood the rhombus, like anyone could, but I did write a song about it. Anyway, be they rhombus or not, they do exist. You will find that out in the musical portion of the proceedings. You all will. Now, Mr. Under, you have the chair.


Under Mination: Howdy Ponguh. Now ya know, I don't cottin ta hesitation under m'nation. When them muslims hit me with that sucker punch ah hit 'em back, hard. They's hurtin now, fuckers. How ya like that Iraqi? Pipsqueak.


Iraqi: dirka dirka jihad!


The Sacred Chao: Prokofiev isn't revolutionary enough for this glorious on nicotine-rushing future, hydroelectric tobacco tonic packaged by Faust Incorporated, a Wal-Mart subsidiary. Chinamen on the moon, doesn't it deflate your poor sore viagra-boner? But I'm really a sad old geezer like you folks over the pond and just as corrupt.

I went through every possible Kabuki melody, now I'm remixing them to Michael Jackson's beats. Beat it beat it beat it beat it! I'm a child of the twentieth century, dropped the literati in the kamikaze sea, drank the tea that was peddled to me, caffeine-free and purged of shamanry, no interesting alkaloids. I'm ruling class, a Golgafrincham with power, statehood, that's where it's at. No one's ridding the world of me old pal, I own the space ark and I'll use it when we've used up the world, not before. Stick around, it's going to be another great season of top quality entertainment, I've got a fiery coastal war lined up, just the thing you dreamed to witness (in videogame form) when you were fourteen, napalm bright mandarin orange, olfactory simulation piping in the sweet smell of burning flesh - you've got to desensitize for the coming pre-apocalypse paroxysm!

Taiwan is going to throw you aghast international onlookers for a loop when I move militarily, I don't wage forty wars a century like that Texaco Mafia man, I pick my battles. Tibet is all spiritual and the Hollywood people love that, they come all over their Buddhist belt buckles. The lesser lights, the datura delirium village, it's never what you think but there's a reason it metabolizes legend like energy through Verezzi, the madman's loop, his trip back to sanity. But they'll be no weepy string-heavy Spielberg movie about the invasion of Taiwan, it's my industrial island to yoke as I please and if you haven't noticed it's my ugly-as-a-slug asian cousin, even in ancient times she wazn't too bright, they stuck her with the struldbrugs until we found out how to kill them good and proper: 9mm slugs - the magic bullet!

Yes, it wasn't just Swift who knew of the struldbrugs, I know of them too, I read history, that's why I'm the only person in this market not being actively exploited by the pyramid scheme, pulling Pharaoh’s bricks up the eight-hundredth step to an unaffordable level I'll never attain. Like fossil fuels, I'm past peak. But we've got moon men to make. One per couple. I know the value of people. 0.17 American dollars. People is a weak currency. The Yuan dominates it easily.

I must thin the herds, reduce to 17%. I have nukes in the garage so you must take me seriously. And I am serious, this isn't one of Kim's silly movies.


Johnny Canuck: The Canadian conspiracy didn't get too far. But Pierre Trudeau is still impaled on that stake in hell (E3M7) so we can keep the forty ninth parallel. I hope you appreciate that citizens.

He's the Prometheus of our land.


El Moriscavo di Santahuasca: Hey, we got oil too and we don't need your fucking infrastructure, we'll build our own. But we'll do it differently. The continent has finally scrubbed those scabby spaniard souls off us, we are no longer latino, we were never indian, and on the mountaintop we are pure light. Up there, you've never seen things so bright!

The only thing we took from Europe was Marx. If we're going to have factories we're going to have Marx. El pueblo unido jamás será vencido! We can't have Che anymore, you ruined Che for us you pandehos of Madison Avenue, you put him in a bottle, Revolution Soda!

But Moctezuma never told you where his gold was Cortez because the gold was in the tea you never drank, the poison you said, the devil you said, the irony we said, we died laughing!


Fuck of the Mountain: I've been to the mountaintop. I make my home in the valley. I ran away from town after a pathetique incident in a barber shop. I haven’t cut my hair since. I’m grizzlier than thou! I salute the peak every morning.


Cortez: Ah, everything I touch turns to gold. Poxy gold. A pox on your gold. I lick the pox off your gold. Ah, sweet pox. We loved a good old pox back in the civilized world, it was a golden age for poxes. We fermented them, Pox-ale, we drank it and loved it. We sold it to you for your fine tobacco products. But this is a place for exorcizing demons.


This Poem is Indistinguishable's bastard child: There is no truth, just opinion. There is no good, only morals. There will never be an answer to whether it was right to invade that country. Reality is what you can get away with.


The Manhattan Hillbilly: Damnit, I FOUND that oil! I started an oil company and I ran that company successfully! I fueled the world!

Fuck of the Mountain: I know, Manhatty, I know. Believe me, I respect that. Your penis is very large, I'm awed by the size. Use it to impress large-titted women wearing thousands of dollars of cosmetic care. I think you deserve a good salary. You should be set for life. Have a big house in the country. Long Island, is there any country left there? Have that. And your family - let's give you enough money to provide well for your family and their families. But let's not stretch that too far okay? Two family extension is reasonable, I think the Tic Tac Regime has been generous with its offer. They'll give you a nice chunk of change to throw around. You can walk into your local bars and be the big spender. People will suck up to you because of your wealth. Your friends will let your rude comments slide because they shamefully know that if they're ever in financial trouble, you'll bail them out, smug in faux grudge because the stench of desperation is your favourite intoxicant.

The Manhattan Hillbilly: But why should there be any limit to the amount of money I can make? REALITY IS WHAT YOU CAN GET AWAY with, remember? And I can get away with this! You mountain types are the people who want all us elites, all those who have succeeded in something, to handicap ourselves. Your vision is a gray commie future. I'll have none of that. And what are you going to do about it? The Cayman Islands, that's my tax revolt. Under Mination was the great tax revolter, he founded a country on it. I mold myself after him.


Henry Ford: Manhattan, you ain't all that. I built cars motherfucker. What can you do with oil when there are no cars?

The Manhattan Hillbilly: Well uh... um, well you can make PLASTIC out of it and you can heat your home and - YOU CAN DO TONS OF STUFF YOU ASSHOLE! SHUT UP!

PONGO: Your comment was unwarranted Henry and will be stricken from the record.

Fuck of the Mountain: Manhatty, please co-operate. I've talked to higher ups in the Tic Tac regime (well they don't really have a hierarchy but they think they're high ups, anyway). They're good people I promise you. I swear it on the Holy Mountain. I invoke the Holy Word. I say FUCKING-A RIGHT, they're forces for good. They want to give you a good life. But they want the excess - and it is excess, let's be real - for the poor, some of whom work long hours for low pay to keep your oily infrastructure running. But the more important matter is scaling back this runaway structure that's dragged society along with it to make room for a sustainable future. If we do nothing it'll drag us right off a damn cliff.

The Manhattan Hillbilly: Now don't get all hasty, we've got a good twenty years left for silicon chips, plastic utensils, Hollywood Magic, and sweet sweet petroleum.

El Moriscavo di Santahuasca: Our staticians say ten years. That is if we assume that our oil is ours and not yours. I'm looking at you, Under.

The Sacred Chao: Gentlemen, it offends me deeply that you suggest there is something "wrong" with the chaotic unfolding of natural laws that have led us to a rapid increase in technology and resource extraction. Humanity is a part of nature and this is a natural process that we should not exhibit the arrogance to counter. I am the man that nature has chosen to be at the forefront of human leadership in the unfolding of that process at this time. Nature loves courage, I think Terence would agree with me. All your base are belong to us.

Johnny Canuck: so what are you planning on doing when we've sucked the planet dry?

The Sacred Chao: Space Ark, didn't I tell you? NASA sold off their rockets, we bought at bargain prices because Under Mination needed to pawn off supplies to fund his wars. And I didn't build them for nothing either. I built them for elites who have earned their privilege. There is room for one seventeenth of one seventeenth of one seventeenth percent - exactly the number our Calculatron arrived at when asked how much of Earth's projected population would be worthy, factoring into the equations the graph of every relevant global trend for the next three decades. This is the final act, don't you know?

King Arthur: You tycoons make me laugh. I am a king, God be praised, and I never needed a drop of oil. You talk like your modern lives are essential. You cannot IMAGINE living any other way. Well failure of imagination will not prevent reality. Reality was so ubiquitous in our day we hadn't even a word for it.

Johnny Canuck: Arthur you really need to watch this Monty Python movie. I mean seriously.

King Arthur: We had no need of movies. We had reality. The thing for which we had no name.

The Sacred Chao: You know, for a guy who says he had no word for reality, you've certainly talked about it enough.

Terence McKenna: Robert Anton Wilson said that reality's what you can get away with. I got away with some doozies. Ever heard of the Elf Dome?

Reverend James Christsmith: Heathen!

Terence McKenna: Hey, who knows? The best thing about your core mystery being a hallucination is that nobody can check the source.

PONGO: Hey, I checked the source. I did FOUR hits of DMT, I slammed it. And all I got was a void. Not that it was a bad void or anything. It was a luminous void, pretty cool as far as voids go. But I didn't get no elves. But fuck that "lesser light" bullshit, it WAS light, pure light, all light, all night, ALRIGHT! I guess that's what you get if you're not a Buddhist. I guess that's better than elves really. It's hard to remember though.

Terence McKenna: Well you can't verify MY source. My source was my brain and I've come to realize that I'm wired for those alien visuals. They don't tell me about the universe so much as they explain my wires. And some wondrous wires they are. "The Invisible Landscape" was a beautiful description of their parameters and how they perturb the pastiche of conventional hallucination we call western culture, with some of Dennis's theories worked in at appropriate alchemical junctures. But Pongo, tell me more about that void, I'm curious.

Pongo: Terence McKenna ASKING about MY experience rather than TELLING me about HIS? Has the world gone topsy-turvy?

Terence McKenna: Well, I had to have a career you know. You’ve got to make your way in the world. Sometimes it takes everything you've got. Getting a break from all your worries sure would help a lot. Wouldn't you like to get away? Sometimes you've gotta go...

Pongo: Where everybody knows your name! That's the void man, you nailed it you oblique bastard. But the void had a sound too! It was musical but it was every melody ever played. Hearing the sum was too much but I succumbed, crumpled into that sonic singularity, an implosion of audible possibility. I can't describe it really.

King Arthur: So Pongo, as chairwoman of the Tic Tac Regime, how did you launder the word "welfare"?

Pongo: That was all due to the success of my welfare for CEOs plan. Bill Gates was an early adopter. That was in his senile years of course. He was a delight. A true boddhisatva, even funnier than the bums. He woke up and remembered where he came from. Became Ambassador to Nirvana, proprietor of a buggy operating system, and richest man on the planet, crying tears from the compound eye. He knew where the music was. Which reminds me - it's time for an improv break.

10/05/05

Kleenex

Atomic Armstrong
kills another ant, for poetry this time
cause he’s a sellout poet
and he has to keep the counter clean
okay, he wants to keep the counter clean
infestation's a state of mind

Atomic Armstrong
crushes an ant under a kleenex
because he doesn’t want ant goo staining his finger
wonders if the guilt is
bleeding heart bullshit?

or has he failed to come to terms
with the point he’s come to
that is, such detachment from life
the basic breathing bleeding baseline
that the ant must die
not for survival
but to calm the shivers
of imagined infestation
that state of mind
such a solipsistic
sell out

that’s what sellout is
just your standard synthetic human sellout
clean counters, commerce, bottom line

how can you not buy in?
you’d have to be as bonkers as Buddha

so easy to kill ants, so sadly easy
they’re at his mercy but he can’t hear them beg

and after twenty two dead ants, crushed under kleenex
a spider crawls along the killing counter

Atomic Armstrong lets the spider live
it’s bigger, messier, not quite faceless enough
he goes back to packing bread

10/01/05

It’s probably 5meo

My business, that stinks of zen, is to describe and integrate, as soon as I can. Aftershocks still buffet me as I write this, jostled, stunned. The flash I've been looking for has happened. I finally broke through and am now in rapid retrograde, reverie de-telescoping, trying to polish a vanishing trophy marked "enlightenment". Tagging words to the experience feels futile, but I'm compelled to try. Do I use words like good and bad? Do I impose values? Somehow that doesn't seem right. I should be as abstract as possible, concrete as possible. I keep wanting to do opposing things at once.

My third experience resulted in about the same effects as the second, even though I tried to add more powder. The next time I was even more liberal with the powder. I was determined to get to the next level.

***

I sit down. Then I take a big toke. I hold it. For fifteen seconds. Start feeling it, early on, strong, definite. I take another toke and hold. The rush overtakes me. I know it's escalating toward some novel perturbation of consciousness, something I haven't yet experienced.

Do I take a third toke or am I too fargone? Before I can decide, the physical rush becomes a psychological spaghettification, a shocking sickening mindwrench. I'm phasing out of the universe where smoking powder makes any sense and being pulled into something that can't be described. My body-mind-self swirls into some seething adjacent dimension. New rules, too different-intense. My frail compromised consciousness, sick with human hangups, spills into a chaos short-circuiting design parameters. Panic, struggling to remain calm, losing it, shackled to the ride, petrified, dread grimace. My field of vision distorts as a field, like what I see is a flat texture peeling off a larger geometric structure. Is there something beyond space-time? The living room window swims down below me in a smear~where is the ceiling?~i'm a thousand miles tall~or an inch high? Holy spatial relation warp!

Can't handle the vertigo-have to do something-move!

Desperate for some human gesture to cling to, I get up from the chair and fall onto the couch in front of me. I lie there, overwhelmed, terrified my mind has been taken too far to ever return to sanity, that quaint predictable state I used to know. This is beyond anything I've ever encountered. I'd give anything to return to normal. I'm ready to renounce all drugs for the rest of my life. I feel the horror of a lucid dreamer trapped in a nightmare. Anything can happen. There's no logic or convention I can count on any more.

ego edifice crumbles, bringing down with it life, meaning-so much attached to self, so many supports falling-there never was a “normal”-spontaneous manifestations of unknown OTHER fill gaps in luminous voids opening every nook and cranny, flipping hidden corners of mind-the void looks into-_-physical pain pedestrian compared to this-awesome, terrible sanctity, maximum crisis, bullseye in mandala of meaning-don't know what to do with it-thousand eyes gawking-newborn lids, appalled to wake up outside the womb

“HOW CAN IT GET ANY MORE PROFOUND THAN THIS?” the rhetorical question howls. Nonsense echo answers from mad chasms, gibbering abyss. This is the state where anything can be known if the knowledge is sought, any perspective understood, but for want of a shaman. So this is transcendence, a whole life universe and everything in preparation for this moment, a science of con, jumped ahead of the game, and now the raw material accumulation spent, test-fired, incendiary conclusion to the drama. Fling into maw or cling to whatever? Ready for the END? This is what I've come for but now can't face it, which is absurd, launched into fuckedup flyin' freakout land but fuckedup flyin' freakout land doesn't have to be fuckedup flyin' freakout land, it can be anything the universe wants and the universe is me, so it can be anything I want but I don't have the nerve to take the reins, but I also don't have the nerve to let it take my reins, which would be just as amazing, so I thrash and twist and don't know what to do, but I must do something to get through this so the entire universe locks down the entire universe and denies the true reality to the true reality. Here, where the light is brightest, my face is turned farthest away, a whole 180, eclipse. I'm gripping myself, trying to "get a grip", not acknowledging that this isn't the way to play, to make my way to the fullest wisest endiest omega point. I don't know how to lose. Do I have something to "gain"? I hash through this horrible crisis of meaning as a sideshow to the incineration of all concepts.

My mind wants to crack into a million shards but my ego wants to hold it together. I contort into a knot of unbearable tension, split into warring factions clawing at each other in the maelstrom. Somehow the tearing of the mind is tightening knots, interweaving anxieties and confusion. "Just let it end/LET IT CULMINATE/let me LIVE/LETMEDIE!" Respect this respect this respect this state! This is eternal and I am naked in the dark unable to accept the infinite. I say let there be yin and let there be yang and where is god when I edit? I will abandon myself to your sanitariums - your fathers - your masters - anything to stop the terror - terror of an impending obliteration in a cold eggshell-cracking suicide, fetal abortion, unholy drug-induced psycheshredding folly. I'll never be the same again, no you can't come back from this you permanent basket-case-crazed spaceman spiffy fruitloose footcake 99.9 percent wake-riding cranked-out tweakhead. I'll be a lonely looney forever and they'll have to lobotomize me to put me out of my misery. I'm not sure what is being obliterated but I know this is too big for me. This universe will not allow me and it both.

A loss for ego.

I'm pulled like taffy between skewedangle-opposing forces: ecstasy and agonized contemplation (OH GOD, WHAT DOES THIS MEEEEAAAAN???!!!). I could give in to the ecstasy and say "who cares?" and more totally transcended but I'm not ready so I writhe around on the floor squeaking and squealing in waves of hilarity and flickering gnosis and befuddlement and purpose and plans and openness and cloisteredness and infinite expanse and agoraclaustrophobia. Cognitive dissonance being smack dab in the sticky fiery molten molasses center of the mystery and not knowing how to come to grips with it, but perversely wanting to, like I'm fondling the enticing but unwilling daughter of the grand noble universe of the potentate of Celesta incarnate in myself.

Then a cerebral/celestial filter sweeps through. A cleansing. Cleansed of self. It's not a void but a transmutation. Self slips away completely leaving a bizarre vacuum in the psyche that is now just a component of the universe - a yin regarded from outside, a groove in a granular texture of infinite expanse and everything sensed is a component of this, from the living room bookshelf to Jonathan's history to Jonathan's future to the cartographed corners of the planet. I think of Dez and I know she's just a component of myself down the cycle, connecting at a host of nodes, verticular algorithm, categorically arbitrary. Our points of intersection are all the more brilliant in this light. My love dissolves in her love dissolves in the love, holy matrimony in the catalyst chrysalis butterflight of the universe as a spiky furball of chronospherical bubbling bliss!

Selfgone, unity, one with everything. Of course. The self was never real and life is but a dream, been awakened, shaken out of the hypnosis of a programmed reality.

All vision sound touch taste and smell pulses and swells in a fusion of feeling, any one bit of stimuli describing another beyond metaphor to the superstructure of information, bright/hot/loud intensity ebbing to quiet dissociated seclusion, screaming back to supersaturation of sensation. The flowers on the couch fabric are growing out of their place in the pattern and covering the spherical roiling room, shrinking back into an ecological niche unhinged from a two dimensional pillow-covering. What was me is somewhere in this storm of raging data processed by the celestial precursor to organic impulse. No longer moving forward through time but flickering in and out of existence like an electron in a cloud of probability, scattered through the temporal vicinity in a complex web of nonlinear being/happening, sometimes seeming to move back and forth at once, regarding this symmetrical motion from outside the temporal dimension where it looks like an explosion, three dimensional time expanding outward leaving fiery wakes forward and backward, adornments, prepositions, words, illusions - the reality is unspeakable.

The difference between open-eye, closed-eye, and mind's eye visuals disappears, hallucinogenic possibilities appear. Thousands of strange metaphors and artistic views of the situation present themselves, each melting and morphing-perverse cartoonish synesthesia-into each other's texture before I can pin one down, polyshed skins, the grotesque quilted flesh of a labial beast. The notions of art and metaphor themselves dissolve, morph into some slimy and hallucinogenically alive river of nonmeaning which flows down a sluice of red radioactive decaying fetid fruit-mold that is spoiled thoughts notions and models, concepts shattered by the force of this current of alternating energy coursing through me, shockwave, tidal gale of multipolyomni fusing fission, exploding, bursting all that is solid into particles and binding the shower of particles into a singular tone of the sound of the number 1, a red Jovian tone of topo hierarchical health and fatty fitness - the purest brightest sanity I've ever seen as a stream of mind's-eye-vision before me, soul externalized. The explosions and recrystallization of meaning-self-reality happen in strange loops, imploding and shattering at once, fusing as they blow apart and creating their origins in time feeding back in on itself, each event nullifying and enabling the other. Every thought, action, and perception is a paradox of this nature. Par for the course.

Familiar surroundings, objects, room is now the same superficially but entirely different on a deeper level. Everything means something I could never have conceived of before, like I've never truly seen it before, like I've never SEEN THE POINT OF IT BEFORE, like it was always an object without a purpose. Now I see it excelling at being itself, the absolute divinity of the furniture, how it's been waiting mundane decades to blow my mind with its rightness, how the unlikely conjunction of its arrangement, years of strange familial transactions, adding and subtracting of odds and ends created the perfect state of the room through time. Language is a glossolalic gloss on the infinite, no words for this unfiltered essence, seeing beyond the grid of imperfections to the organic functioning of the most oblique of nature's expression, through the human filter to synthetic grace, and this place the perfect setting to a clear-light-bathed re-orientation of my life/life itself, suddenly okay with it clicking into place, living a historic moment, a culmination.

Boundless joy, infinite joy. Having reached this pinnacle of perception is an ecstasy. A triumph. Nothing can touch me because any conceivable thing fits perfectly into my gestalted consciousness, the god's eye view. Every question is answered, made manifest beyond meaning, isness, no need for reasoning out, rationality being the pale mechanistic disfigurement of the smooth-running-humming-cycling-flowing-strumming-singing organism/entity/device/symphony that is reality, the thing that can't be deconstructed, that subverts atomic splicing, that will fit only partially into the physicist's theories, comprising everything I've seen and done and will do and everything that could be and has been in some other self(electron's) experience, the overmind that is obviously alive and obviously the macro body and obviously beyond what any of us can know, even now, and obviously making a mockery of our hangups about mortality, being a state of connection beyond confinement to a body and brain, suggesting that the confining periods are for a purpose, serving the yin of individuality to the yang of overmind, serving the creation of a sense as black enables white and hard enables soft, seeing this in the halfway state of being outside the node of onemind, adrift in the flowing river of interversal plurality and acausality, seeing the place of the self's inscrutable purpose in the chaotic flux of hyperorder that we may figure out if the pattern allows such self-reflecting folds, reverb, echo.

I'm immortal and eternal. Why? Can't say, but I feel it. Bafflement beyond words gives way to a super-understanding and supreme confidence in accepting my place as detritus awash in the great ordered mystery, towering over levels below me and sensing stories above me, hinting at the fractal resonance pervading the interface, as above so below, discordant chords resonating strings of surreal synchronicities, alien jazz too complicated to appreciate.

I'm on a profound positive plateau, stretched as a pretzelian figure-8 paradox, strange loop, mystic and realistic. Relief of nirvana floods into the laughing writhing thing on the floor that smoked a powder to conjure up this vantage that regards its self-transforming vapour, gazing at the navel of an adolescent druggie on the white writhing rug, a snug bug on the rug in silly spills of wrapped up to the gills flipflop failure, collapse of all automatic pragmatic directives, misfit on society's shitlist where the misfits fit, chromatic, sublimely assonant dissonance striking the chord to counterpoint convention! This misfit can go back and play the game because that is how gravity works in the node he came from, but the beautiful punchline to those 20 tense years of losing human games in domestic primate hierarchies is seeing the little automaton figuring out how to do something that blasts himself beyond his programming to see the program and know there is something beyond the program even if he must return to the script at some point in the "future" as if time has any meaning anyway.

Profound profane hilarity. Cackles, giggles, coming back to a sense of time but an altered sense, outside the tug of timelocked grooves, moving to my own natural skittish rhythm like time is perturbed by this hole I've blown in the mind-space continuum, rippling my reality, slipping into the future a few seconds/minutes here, flanging back to the past two seconds/minutes ago, feeling two time periods move at different rates and laughing at the absurdity of perceiving ten seconds ahead yet having a frame of reference that is now, in the past or is it present, and which is the real time? But the time distortion's gap is closing, fluid solidifying, snapping me back to the needlessly rigid order I used to know, take for granted. The boundaries of my self are shrinking as words for things creep back into my ken and the wallhand happening I'm regarding from eyes set in the breathing blur of bright-colored impressionist space separates back into categories and now there is me and the room again, me in the room again, confined, still altered, window closing.

I stumble to my bedroom through a bubbling twisting warping hallway, get on my computer and TYPE TYPE TYPE. For a minute I'm ready to anoint EVERYONE ENLIGHTENED! Those divine lords of creation, co-creating the shared hallucination with me, inner/outerspace cadet - I must make them aware, why can't they see? I verbalize my ecstasy which starts to dissolve into skepticism, revelations fleeing, fleeting like nitrous oxide axioms. The desk in my room, now being a "desk" with all the confined meaning that implies, still reminds me of that alpinesque vantage where it would be the transdimensional object cycling through everything else in the universe. William James' famous note rings in my head: "Everything in this universe is the smell of burnt almonds." Might as well have been. Is. Was.

I am still more than myself and yet less than myself, filtered into meta-self, shaken from self, loose, drifting, free... but with nagging skepticism as the edges return and the possibilities wink out of imagination and the senses separate into distinct varieties, and the whole trypout seems an impossibility. I mean really. Was it real? What does it mean? Should I care what it means? Why am I asking this?

It's jarring, jolting coming back so quickly from the other world. Hard. Mundanities sweep in, window closes. What do I make of it? Pressure to make something of it. Strain. Knowledge that I'll forget what it was like. I'll have to forget, right? How could this "person" retain it? That would subvert the whole process of going beyond. I'll forget, and what's worse, I won't believe! I'll believe I was hyperbolizing, souping up the description. The magic powder only performs miracles on the miraculous me, snake swallows its tail and shits out a report of stale oxymoronic text sans context. Welcome back to the reality fractal, a strained refrain/reverb of what's really going on, out there, in here, INside/OUTside the sphere of ordinary awareness.

Well, I don’t know. That was then and this is now. And I've caught up to the post-peak present in this narrative. And time keeps on slipping - slipping away. What was once a dilated near-infinite moment is now an afternoon going by much too quickly. A trip fading. It feels absurd and filthy going back into my body, monolithic reality, meaning, self, and all the malarkey that comes with these planes, paperweights... What do we do with this me I've sunk into? Allowing myself to indulge in the banality of “spell-check” indicates I’m down for good.

Why did I type? I shouldn't have tried to English it so soon. I should have experienced, not recorded. This is all lies though - language, penned up in the cut-throat ghetto of meaning. Enlightenment, put up in a trophy cabinet behind closed doors, left to collect dust.

Well…

Whatever Big Thoughts you've been thinking, whatever is really on your mind that is important to you, it will be there, and you'll have to deal with it - but you may get a solution, a way out you never expected - or you may find this issue just explodes into a chaos of meaning never to be assembled - a hyperorder thousands of dimensions beyond your current, albeit highly expanded cognition. It's like a bacterium, suddenly granted human-level perception, trying to solve a trigonometry problem. We come back stuttering and drooling, then try to explain it (even mathematically as Terence did, that wacky guy) but Christ what pretense to think this is any real indication of what is there.

Maybe this time, enough was taken of me in the void and now I'm bleeding into there, wounded in this world, being born into the next one, cell by cell, flowing into their vast bloody river network of synesthetic tissuestreams, back in that wonderful hallucination. Sobriety is nice but just one spice, one slice of reality - there is something out there. A fucking ocean of somethings.

There is some column of being, some current of seeing, some art of ontology, which unites all of us, horizontally (as a human species in kinship with each other's troubled view of existence) and vertically, with all higher dimensional entities, or collective entities (like Gaia, and Celesta, and those turtles, all the way down, every one of them). Perhaps entities trippers have met during psychedelic sessions are in fact the Gaian mind or something even greater, vast up-level conscious collectives or unconscious systems. Perhaps consciousness is for humans, and those up level have different states of awareness - higher, insofar as there is a reality to the hierarchy - yet states we can't see as higher or even there at all. Gaia hears us in her dreams, as we have some deep dark connection to our inner entities, our bacterium colonies. Hello in there. How are you doing, guys? 

Purpose

Save her grace
purpose in this life
but i make a horrible sickly martyr
and she makes a better one, pretty hair
sunk in january, and who am i
to save anyone, while on that collision course
this apocalypse
first against the wall
first against the wall

now i could lie
maybe convince myself
maybe make it a reality
that's how optimisim works
and i'm too busy being in love
not mining it for poetry
the real thing is better than anything
written about it

"and those will be enjoyed too"

Another line from my sweetheart for the quotebook, in my personal clueyness collection, the curation of things she has said and done that a...