Finally got around to editing some old compositions of mine. For years it's bothered me to listen to these, though they have good ideas in them. Wasn't sure if it was worth an edit session, but since Clavia just updated their piano sample library for the Nord keyboard, I thought I'd give some of my early pieces a new coat of sound, and a bit of a re-write while I'm at it.
with an epic Steinway grand sound.
Fugue in E minor
I sequenced this years ago, with no dynamics. Instead of contriving some, I've used an italian harpsichord, which works with the motoric style.
One of my first ever compositions. The original writing was naive with no expressive nuance in the sequence - but I've kept it around because of its audacious contrapuntal texture - in that, it's like nothing I've written since. It was described as "cubist" by a reviewer. So I've kept its unique features, just removed a lot of the clutter in the voicing, and for the sound, I've used an upright piano, so it sounds a little like a mechanical roll-style, like a Nancarrow study, with a lot of Baroque flavour in the mix. It's still very notey but less so than before, could be playable theoretically, but I wanted to retain the mechanical feel.
Ignored at the meeting by the monstrous chad because of the easily missed frequency of my voice, when I tried to be friendly and join the co...
I'm working out new ways to perform and record. They take the form of melodic fragments, half-assed renditions of half-remembered songs,...